ACU Medieval and Early Modern Seminar Series The members of the Medieval and Early Modern Studies program at ACU are delighted to invite you to attend our next virtual seminar on 15 October at 2:00 PM (AEDT/GMT+11): “Blood rain, crucifixions and instruments of the Passion: Christ, visuality and religious identity in sixteenth-century prodigy books,” presented by Jenny Spinks (University of Melbourne) For more information and an abstract, please email: Mems.seminar@acu.edu.au. Sourc
Ghosts, Witches and Portents in Early Modern Europe: Seminar 2.16: Rewriting the Miracles of Nature:...
Ghosts, Witches and Portents in Early Modern Europe: Seminar 22: Witches on Stage (and Screen
This thesis addresses the print culture of Jansenist Convulsionaries from 1737 to 1747. This radical...
L’Iscal 2016 (International summer school on christian apocryphal literature) est l’occasion de pren...
"Thomas Becket’s Greatest Miracle: The Blinding and Castration of a Thief in Bedford" with Professor...
Conférence : "‘Courage, Language, Discretion and Learning’: Lancelot Andrewes and Early Modern Relig...
Ghosts, Witches and Portents in Early Modern Europe: Seminar 5: Late Medieval Christianity and the E...
Crónica de "Croch Saithir: Envisioning Christ on the Cross in the Early Medieval West", Cork, Irelan...
Conference: Religion, Art and Conflict: Disputes, destruction and creation (Courtauld Institute, 5-6...
Islam & the Islamic World: Seminars & Events After Rome Seminar: Aspects of the History and Archaeo...
The following video contains the session entitled “Art Meets Literature: Illustrated Manuscripts, Ps...
Ghosts, Witches and Portents in Early Modern Europe: Seminar 4: Ghosts and Literature
Paradigmatic Prints and Particular Performances: Religious and musical identities in the liturgical ...
International audienceWhat should we make of a seventeenth-century wooden Christ, who drenched spect...
Ghosts, Witches and Portents in Early Modern Europe: Seminar 2.6: Miracles, Holly Wells and Magical ...
Ghosts, Witches and Portents in Early Modern Europe: Seminar 2.16: Rewriting the Miracles of Nature:...
Ghosts, Witches and Portents in Early Modern Europe: Seminar 22: Witches on Stage (and Screen
This thesis addresses the print culture of Jansenist Convulsionaries from 1737 to 1747. This radical...
L’Iscal 2016 (International summer school on christian apocryphal literature) est l’occasion de pren...
"Thomas Becket’s Greatest Miracle: The Blinding and Castration of a Thief in Bedford" with Professor...
Conférence : "‘Courage, Language, Discretion and Learning’: Lancelot Andrewes and Early Modern Relig...
Ghosts, Witches and Portents in Early Modern Europe: Seminar 5: Late Medieval Christianity and the E...
Crónica de "Croch Saithir: Envisioning Christ on the Cross in the Early Medieval West", Cork, Irelan...
Conference: Religion, Art and Conflict: Disputes, destruction and creation (Courtauld Institute, 5-6...
Islam & the Islamic World: Seminars & Events After Rome Seminar: Aspects of the History and Archaeo...
The following video contains the session entitled “Art Meets Literature: Illustrated Manuscripts, Ps...
Ghosts, Witches and Portents in Early Modern Europe: Seminar 4: Ghosts and Literature
Paradigmatic Prints and Particular Performances: Religious and musical identities in the liturgical ...
International audienceWhat should we make of a seventeenth-century wooden Christ, who drenched spect...
Ghosts, Witches and Portents in Early Modern Europe: Seminar 2.6: Miracles, Holly Wells and Magical ...
Ghosts, Witches and Portents in Early Modern Europe: Seminar 2.16: Rewriting the Miracles of Nature:...
Ghosts, Witches and Portents in Early Modern Europe: Seminar 22: Witches on Stage (and Screen
This thesis addresses the print culture of Jansenist Convulsionaries from 1737 to 1747. This radical...